African Traditional Architecture

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Deconstruction, form of philosophical and literary analysis, derived mainly from work begun in the 1960s by the French philosopher Jacques Derrida, that questions the fundamental conceptual distinctions, or “oppositions,” in Western philosophy through a close examination of the language and logic of philosophical and literary texts http://home-investments.com/library/the-katrina-effect-on-the-nature-of-catastrophe. The architecture critic can put the performance of the subject in perspective by presenting a competing subject next to it and to compare the performance of them. It is an easy instrument: just compare two or more projects, sources, concepts or opinions in one document http://postdialysisfatigue.com/library/fulham-old-and-new-being-an-exhaustive-history-of-the-ancient-parish-of-fulham-volume-2. When it serves as a use-value, asthetic or mechanical, on the breast of a harlot, or in the hand of a glasscutter, it is a diamond and not a commodity. Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The worker puts his life into the object; but now it no longer belongs to him, it belongs to the object , e.g. http://internationalrelo.net/ebooks/moderns-abroad-architecture-cities-and-italian-imperialism-architext-by-fuller-mia-1-st-first. Vidler is also one of the few to note that "Meier's work at the Getty. .. does not give itself over to easy looking, in the sense of 'easy listening.' Indeed, its complex structures and spatial abstractions call for an attentive and close reading."

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