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Emotion is never described in the denouement. Cinderella may receive praise from the community but this is done not out of altruism but because of a de facto recognition of greater power or because they fear him. A Double Colonization: Colonial and Post-Colonial Women's Writing. Originally published as Storia Notturna, Turin: Giulio Einaudi Editore, 1989. [In this study of the place of the Witches’ Sabbath in Western culture Ginzburg hypothesizes a middle term between dream and fable: the shamanistic ecstasy, which he identifies in European and Asian cultures in the Cinderella story with its abused stepdaughter, the prohibitions by the stepmother, the gifts of magical instruments from an assistant, her defiance of the prohibitions, her accomplishing of difficult tasks leading to recognition, the vain efforts of the false hero or heroine to usurp her attainments, her unmasking of the antagonists, and marriage to the prince.

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