Lebbeus Woods: Anarchitecture : Architecture Is a Political

His identification of the poetic object is in terms of the universal or commonplace object to which it tends, and of the tissue, or totality of connotation, which holds it secure. It can be shown more clearly by underlining the gap existing between a text like Jacques-Franqois Blondel's Architecture Frangoise (that, although published in 1752is still prescriptive in the Classicalsense and very far from the modern criticism of Diderot's Salons), and Campbell's Vitruvius Britannicus that, with its precocious dates (from 171fonwards), announce the principles of the critique passionnie that found its expression in the theories of Baudelaire.5 Blondel's cautious historicism soon clashed with the new theories of Laugier: Ee livres d9Architecture[Laugier writes in 1765, in controversy with Blondel] exgosent et detaillent les proportions usitees.

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