Poetry and Community: Lectures and Essays, 1991-2001

Johannessen's subject here is the almost mystical American belief in the promise and potential of the individual, that can loosely be characterized as a fundamental and unwavering faith in the secular sanctity of the American project of modernity. Therefore, any system of regularities can in principle be perceived as meaningful in poetry", p.68 "Prose is a later phenomenon than poetry, arising in a period of chronologically more mature esthetic consciousness ... notwithstanding its seeming simplicity and closeness to ordinary speech, prose is esthetically more complex than poetry", p.24 From "Analysis of the Poetic Text", Yury Lotman, Ardis, 1976 "In poetry it is the choice of expression that determines the content, whereas in prose it is the opposite; it is the world the author chooses, the events that happen in it, that dictate its rhythm, style, and even verbal choices", "on literature", Umberto Eco, Secker & Warburg, 2005, p.313 "The terms poetry and prose are incorrectly opposed to each other.

The result must be readable and recognizable. The most important criteria is that the visualization must provide a way to learn something about the data ref.: http://dialysiswashout.com/freebooks/the-story-of-the-three-little-pigs. Fish claims that his theory, however, is internally coherent, while I will argue just the opposite, that his theory does not cohere based on his own assumptions , e.g. read for free. In The Silent Woman, Jonson's nearest approach to Moliere's type of construction, the whole action recedes from the humor of Morose, whose determination to eliminate noise from his life produces so loquacious a comic action. The principle of the humor is the principle that unincremental repetition, the literary imitation of ritual bondage, is funny , cited: http://internationalrelo.net/ebooks/poems-of-power. This practical difficulty is evident in the official civil society organizations of the European Union that fail to promote public deliberation download here. He praises the work for the precision with which it portrays what is, but also for a 'method' which brings to light that which is hidden. There are apparently two views of representation here, and of the nature of 'art': art represents, or art uncovers. It is not unusual for a critic to operate from different, even conflicting, theoretical positions, and in this case the conflict is as Flaubert long ago pointed out endemic to Realism: realism claims to represent the truth but in order to do so it necessarily selects and arranges, hence distorting the world as empirically experienced, and inflecting the 'truth' (as empirically conceived) with certain criteria of selection and arrangement , cited: www.theextramileadventure.org.

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