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This article was originally published in European Theories of the Drama. It is an inspiration which seems to have been devised as a hypothesis of compromise. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. He buys a few, it is true, but as slaves, not as masters or teachers. He says, "I am almost frightened at my own temerity." This phrase was inscribed on the banners of almost every critic of the Renaissance. In the criticism on the epic they merge, particularly in France and England.

Princeton, NJ: Princeton University Press, 1961 http://internationalrelo.net/ebooks/the-perversity-of-poetry-romantic-ideology-and-the-popular-male-poet-of-genius. This is an example of the way in which myths explain the structural principles behind familiar literary facts, in this case the fact that to make a sombre action end happily is easy enough, and to reverse the procedure almost impossible. (Of course we have a natural dislike of seeing pleasant situations turn out disastrously, but if a poet is working on a solid structural basis, our natural likes and dislikes have nothing to do with the matter.) Even Shakespeare, who can do anything, never does quite this , cited: Collected Poems, 1909-1962. The Romantics, the thematic poets of the low mimetic period, set their faces against their predecessors' methods of following nature, and went back to the mode of romance British Women's Writing in the Long Eighteenth Century: Authorship, Politics and History. While some attempts have been made to elaborate a system of canons for the higher criticism, it has not, and probably never will have, a strictly defined and generally accepted code of principles and rules. Some broad principles, however, are universally admitted by critical scholars. A fundamental one is that a literary work always betrays the imprint of the age and environment in which it was produced; another is that a plurality of authors is proved by well-marked differences of diction and style, at least when these coincide with distinctions in view-point or discrepancies in a double treatment of the same subject ref.: howtobeacooldad.com.

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